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- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
The White Man"s Burden - translation to Αγγλικά
1995 FILM DIRECTED BY DESMOND NAKANO
The White Man's Burden (Movie); White man's burden (film); White Man's Burden (soundtrack)
The White Man's Burden
"The White Man's Burden", celebre poesia sull"imperialismo di Rudyard Kipling; eufemismo per l"imperialismo
balance of probabilities
IN LAW, THE OBLIGATION ON A PARTY IN A TRIAL TO PRODUCE EVIDENCE
Standard of proof; Preponderance of the evidence; Clear and convincing evidence; Burden of persuasion; Balance of probabilities; Clear and convincing; Legal burden; Evidentiary burden; Preponderance of evidence; Air of reality; Air of reality test; Insufficient evidence; Legal Burden of Proof; Burden of production; Burden of defense; Burden of Proof (legal); Balance of probability; Legal burden of proof; Standard of evidence; Evidentiary standard; Reasonable, substantial, and probative evidence; Clear, unequivocal, and convincing evidence; Clear, unequivocal, satisfactory, and convincing evidence; Standards of evidence; The burden of proof is on the accuser
il bilancio delle probabilità
white night
WIKIMEDIA DISAMBIGUATION PAGE
White Nights; White Nights (movie); White nights; White Nights (disambiguation); White nights (disambiguation); White Nights (film); White Night (Korean); White night (disambiguation); White Night (song); White Night (film); White night; White Night (disambiguation)
notte insonne, notte bianca, notte in bianco
Ορισμός
the man
An authority figure, such as a principal, boss, mayor, etc.
The man caught me skipping class again.
The man caught me skipping class again.
Βικιπαίδεια
White Man's Burden (film)
White Man's Burden is a 1995 American drama film about racism, set in an alternative America where the social and economic positions of black people and white people are reversed. The film was written and directed by Desmond Nakano. The film revolves around Louis Pinnock (John Travolta), a white factory worker, who kidnaps Thaddeus Thomas (Harry Belafonte), a black factory owner for firing him over a perceived slight.
The title is a well-known phrase inspired by the famous poem of the same title by Rudyard Kipling.
